Category: Music Industry
Deco at SXSW
Yes, I’m finally attending a music conference again! I’ll be on the ground at SXSW this year representing for Deceast in a variety of ways. First up, I’m really happy to be performing at Stateside Bass Sessions on Wednesday March 14th, presented by Austin’s own SUB.CONSCIOUS crew. It’s going down at Plush ATX, a club/lounge venue in downtown Austin and features an all-star lineup of America’s finest bass music artists: Evol Intent, Quadrant, Submorphics, LeDoom, Sinistarr and many more. You can see the full lineup and get all the details at the official Facebook event page.
Second up, I want to meet all the people I can! If you’re reading this and you’ll be in Austin, we should try to meet up. Contact me here, or hit me up on Twitter, SoundCloud or Facebook. I’ll be in Austin from Tuesday March 13th to Saturday March 17th and I hope to meet some new folks and re-connect with friends who are usually scattered all over the planet!
Exhibit A In The Death of Major Labels

Too Much Joy was an alt-rock band that gained a good following throughout the 90s off the heels of their numerous albums, including humor-laden titles such as Green Eggs and Crack and Dr. Seuss Is Dead. After gaining the attention of Warner Bros. Records, they signed to the major label to release their 1991 album Cereal Killers. What transpires between Too Much Joy and Warner Bros. Records after that is a great lesson in the eccentricities of the music industry that should be included in every “Introduction To The Music Business” class offered at colleges and universities around the world.
At the end of 2009, the band received a royalty statement from Warner that details the digital sales of their Warner-controlled music. Thankfully, Too Much Joy celebrate transparency and posted an extremely detailed, thoughtful, and funny explanation of their experience with Warner and the ensuing royalty statement. I highly encourage you to give it a thorough read as it eloquently illustrates what I feel is the type of behavior that is rapidly leading to the end of the major label era in recorded music.






